How Did Vincent Van Gogh Became Interested in Art
Biography of Vincent van Gogh
Childhood
Vincent Van Gogh was born the 2nd of half dozen children into a religious Dutch Reformed Church family in the south of the Netherlands. His father, Theodorus Van Gogh, was a chaplain and his mother, Anna Cornelia Carbentus, was the girl of a bookseller. Van Gogh exhibited unstable moods during his childhood, and showed no early on inclination toward art-making, though he excelled at languages while attending two boarding schools. In 1868, he abandoned his studies and never successfully returned to formal schooling.
Early Training
In 1869, Van Gogh apprenticed at the headquarters of the international art dealers Goupil & Cie in Paris and somewhen worked at the Hague branch of the firm. He was relatively successful as an fine art dealer and stayed with the business firm for almost a decade. In 1872, Van Gogh began exchanging messages with his younger blood brother Theo. This correspondence continued through the terminate of Vincent's life. The following year, Theo himself became an art dealer, and Vincent was transferred to the London role of Goupil & Cie. Around this time, Vincent became depressed and turned to God.
After several transfers betwixt London and Paris, Van Gogh was permit go from his position at Goupil'south and decided to pursue a life in the clergy. While living in southern Kingdom of belgium as a poor preacher, he gave away his possessions to the local coal-miners until the church dismissed him because of his overly enthusiastic delivery to his religion. In 1880, Van Gogh decided he could be an artist and even so remain in God's service, writing, "To try to understand the real significance of what the corking artists, the serious masters, tell united states in their masterpieces, that leads to God; 1 human wrote or told information technology in a book; another, in a moving-picture show." Van Gogh was still a pauper, simply Theo sent him some money for survival. Theo financially supported his elderberry brother his entire career, equally Vincent made well-nigh no coin from making art.
A year subsequently, in 1881, dire poverty motivated Van Gogh to movement dorsum home with his parents, where he taught himself to draw. He became infatuated with his cousin, Kee Vos-Stricker. His connected pursuit of her affection, despite utter rejection, eventually split the family. With the support of Theo, Van Gogh moved to the Hague, rented a studio, and studied nether Anton Mauve - a leading fellow member of the Hague School. Mauve introduced Van Gogh to the work of the French painter Jean-François Millet, who was renowned for depicting common laborers and peasants.
Mature Period
In 1884, later on moving to Nuenen, Netherlands, Van Gogh began drawing the weathered hands, heads, and other anatomical features of workers and the poor, determined to become a painter of peasant life like Millet. Although he found a professional person calling, his personal life was in shambles. Van Gogh accused Theo of non trying hard enough to sell his paintings, to which Theo replied that Vincent'south dark palette was out of faddy compared to the bold and bright mode of the Impressionist artists that was popular. Suddenly, on March 26, 1885, their begetter died from a stroke, putting pressure on Van Gogh to have a successful career. Shortly later on, he completed the Tater Eaters (1885), his showtime large-scale composition and swell work.
Leaving the netherlands for the last fourth dimension, in 1885 Van Gogh enrolled at the Academy of Fine Arts in Antwerp. There he discovered the art of Baroque painter Peter Paul Rubens, whose swirling forms and loose brushwork had a clear affect on the young artist'due south manner. Nonetheless, the rigidity of academicism of the school did not appeal to Van Gogh and he left for Paris the following year. He moved in with Theo in Montmartre - the artist's district in northern Paris - and studied with painter Fernand Cormon, who introduced the young artist to the Impressionists. The influence of artists such as Claude Monet, Camille Pissarro, Edgar Degas, and Georges Seurat, as well equally pressure from Theo to sell paintings, motivated Van Gogh to adopt a lighter palette.
From 1886 to 1888, Van Gogh became acutely interested in Japanese prints and began to avidly study and collect them, fifty-fifty curating an exhibition of them at a Parisian eatery. In late 1887, Van Gogh organized an exhibition that included his work and that of his colleagues Emile Bernard and Henri de Toulouse-Lautrec, and in early 1888, he exhibited with the Neo-impressionists Georges Seurat and Paul Signac at the Salle de Repetition of the Theatre Libre d'Antoine.
Late Years and Death
The majority of Van Gogh's best-known works were produced during the final 2 years of his life. During the fall and winter of 1888, Vincent Van Gogh and Paul Gauguin lived and worked together in Arles in the south of France, where Van Gogh eventually rented 4 rooms at 2 Place Lamartine, which was dubbed the "Yellow House" for its citron hue. The move to Provence began equally a plan for a new artist's community in Arles as culling to Paris and came at a critical point in each of the artists' careers. While at the "Xanthous House" Gauguin and Van Gogh worked closely together and developed a concept of color symbolic of inner emotion and not dependent upon nature. Despite enormous productivity, Van Gogh suffered from various bouts of mental instability, likely including epilepsy, psychotic episodes, delusions, and bipolar disorder. Gauguin left for Tahiti, partially as a means of escaping Van Gogh'southward increasingly erratic behavior. The creative person slipped away later a specially violent fight in which Van Gogh threatened Gauguin with a razor and and then cutting off part of his ain right ear.
On May 8, 1889, reeling from his deteriorating mental condition, Van Gogh voluntarily committed himself into a psychiatric institution in Saint-Remy, near Arles. As the weeks passed, his mental well-being remained stable and he was allowed to resume painting. This period became one of his most productive. In the year spent at Saint-Remy, Van Gogh created over 100 works, including Starry Night (1889). The clinic and its garden became his main subjects, rendered in the dynamic brushstrokes and lush palettes typical of his mature period. On supervised walks, Van Gogh immersed himself in the experience of the natural surroundings, afterwards recreating from retentivity the olive and cypress trees, irises, and other flora that populated the clinic's campus.
Presently subsequently leaving the clinic, Van Gogh moved north to Auvers-sur-Oise outside of Paris, to the care of a homeopathic md and amateur artist, Dr. Gachet. The doctor encouraged Van Gogh to pigment as part of his recovery, and he happily obliged. He avidly documented his surround in Auvers, averaging roughly a painting a day over the terminal months of his life. However, after Theo disclosed his programme to become into business for himself and explained funds would be short for a while, Van Gogh's depression deepened sharply. On July 27, 1890, he wandered into a nearby wheat field and shot himself in the chest with a revolver. Although Van Gogh managed to struggle back to his room, his wounds were not treated properly and he died in bed two days subsequently. Theo rushed to exist at his brother'south side during his last hours and reported that his concluding words were: "The sadness will last forever."
The Legacy of Vincent van Gogh
Articulate examples of Van Gogh's broad influence can be seen throughout fine art history. The Fauves and the German Expressionists worked immediately after Van Gogh and adopted his subjective and spiritually inspired use of color. The Abstruse Expressionists of the mid-twentyth century made employ of Van Gogh'southward technique of sweeping, expressive brushstrokes to indicate the artist's psychological and emotional country. Even the Neo-Expressionists of the 1980s, like Julian Schnabel and Eric Fischl, owe a debt to Van Gogh's expressive palette and brushwork. In pop civilization, his life has inspired music and numerous films, including Vincente Minelli'southward Lust for Life (1956), which explores Van Gogh and Gauguin's volatile relationship. In his lifetime, Van Gogh created 900 paintings and made 1,100 drawings and sketches, only only sold one painting during his career. With no children of his ain, most of Van Gogh's works were left to brother Theo.
Source: https://www.theartstory.org/artist/van-gogh-vincent/life-and-legacy/
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